FILMING WITH PURPOSE There are many powerful scenes in Iranian drama It Was Just an Accident. However, the penultimate sequence of the film – in which Ebrahim Azizi’s Eghbal is tied to a tree and interrogated by the film’s protagonists – is striking in…
SHAKE IT OFF Every scene in The Testament of Ann Lee, following the titular leader of the Shaker Movement, is unique, stylish and supporting of its story. Yet one particular sequence – as Ann and her followers head on a stormy voyage from the UK to the…
LOVE AND LAVA Ollie Downey BSC recounts shooting The Fires in Iceland, navigating volcanic eruptions, extreme weather and a tiny crew to capture epic visuals on a modest budget. There aren’t too many more exciting calls to get as a cinematographer than to travel to Iceland…
TUNNEL VISION Using high-speed Venice 2 photography, practical lighting and selective VFX, Outrageous evokes fractured memory, culminating in a stylised, slow-motion “Cathedral of Light” at Nuremberg. Outrageous is narrated by eldest sibling Nancy Mitford, who opens the show by describing…
CAPTURING THE CHAOS OF THE ER Johanna Coelho reveals how she shot The Pitt’s 15-hour ER shift, using immersive 360-degree sets, handheld intimacy and inventive lighting to bring every moment to life. When I first read the scripts for The…
BRINGING TRUTH TO LIGHT Balazs Bolygo BSC HCA crafts a rigorous, multi-format reconstruction, using lighting to underscore emotional proximity, institutional detachment, and shifting perspectives in Jean Charles de Menezes’ tragic misidentification. The four-part Disney+ series Suspect: The Shooting of Jean Charles…
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