Alê Braga, IMAGO communication director, shares insight into the films that have shaped the work of cinematographers around the world. When cinematographers from over 20 countries are asked which films shaped their way of seeing, the answers reveal something unexpected.…
LIVE WIRE James Cameron and some of the key members of the team behind Billie Eilish: Hit Me Hard and Soft – The Tour (Live in 3D) reveal how cutting-edge stereoscopic filmmaking is reinventing the concert movie experience. For decades,…
THE LOOK DRIVES RIVALS’ BIGGER, BADDER SECOND SEASON For season two of Rivals, cinematographer John Lynch ISC and The Look senior colourist Thomas Urbye adopted a bolder approach to colour to match the series’ escalating drama. For the second instalment…
DESERT LIGHT: CINE GEAR RETURNS TO UNIVERSAL  Held in the kind of bright desert-flecked LA light the late David Hockney liked to paint, a somewhat reconfigured two-day Cine Gear show returned to the Universal lot amidst ongoing existential questions…
ADVENTURES IN ANIMATION Toy Story 5 cinematographer Matt Aspbury discusses how he and the talented team at Pixar continue to create cinematic magic, captivating audiences with new escapades featuring the beloved and iconic toy characters. Matt Aspbury’s journey to becoming…
PUSHING TO THE MAX While Eben Bolter ASC BSC has previously embraced restraint on stunning shows such as The Last of Us, he took the opposite approach with his work on Cape Fear – which embraced maximalism when retelling the…
BUILDING THE BACKROOMS DP Jeremy Cox explains how he helped bring YouTube sensation Backrooms to the big screen in true cinematic style. Backrooms came to me through Chris Ferguson, a producer at Oddfellows. We’d worked together on several projects, so…
PUNCHING ABOVE THEIR WEIGHT While boxing films seem ever-present in cinema, Heavyweight – now available on all VOD platforms in the UK following its theatrical run – brings something completely different to the scene. Boxing has a storied history in…
SHARED VISION Riedel’s acquisition of ARRI marks the beginning of a new chapter for the companies and the industry. Riedel founder and CEO, Thomas Riedel, and ARRI’s Christian Richter and David Bermbach discuss what the deal means for filmmakers and…
LIGHTS, CANNES, ACTION With no Hollywood studio films in competition, Cannes Film Festival championed world cinema and the craftspeople behind the image. We round up some of the productions, filmmakers and topics of conversation that defined this year’s event. The…
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