Looking back across six decades of social and technological change, Oliver Stapleton BSC explores what has improved, what remains unresolved and why listening matters. As a 78-year-old male, I would have been 15 in 1963. My role models were Sean…
Steven Poster ASC examines how the introduction of the Digital Intermediate has shaped filmmaking and details the work of pioneers in this area. No, I did not invent the DI. There were two movies that had used this process before…
Alê Braga, IMAGO communication director, shares insight into the films that have shaped the work of cinematographers around the world. When cinematographers from over 20 countries are asked which films shaped their way of seeing, the answers reveal something unexpected.…
In an era of political chaos and mental health crisis, the antidote may be simpler than we think: get outside, stay present and trust that the world is better than the news suggests. “I am the master of my fate:…
Pooja Gupte ISC IWCC explains why she launched Flare Cinematography Film Festival in Mumbai and highlights the important role she believes it can play in the industry’s future. I studied cinematography at the Satyajit Ray Film and Television Institute in…
Revisiting Big Top Pee-wee for its remaster opens memories of circus shoots, film-era experimentation and the evolving craft of colour in cinema. I’ve been thinking of this next column since I finished the last. I was scheduled to re-master Big…
Balancing demanding production schedules with family life can be difficult for film and television professionals. Does job sharing offer a solution? ReelTime Media was set up by Michelle Reynolds and Rowan Aust, two friends who share a background as television…
Steven Poster reflects on decades of technological change, from film chains to digital intermediates and the ongoing quest to perfect colour representation. One of the greatest pleasures of becoming an elder in our craft is the opportunity to re-master some…
In his first President’s Perspective, Oliver Stapleton BSC highlights challenges, inclusion and support for the next generation of cinematographers. Thank you to Chris Ross BSC for your kind and encouraging words in your final President’s Perspective after four committed years…
As his time as BSC President draws to a close, Christopher Ross BSC reflects on a period of renewal as well as industry upheaval, highlighting why greater inclusion and a supportive creative community are essential for the future of cinematography. Coda /ˈkəʊdə/ noun By the…
GLAMOUR MEETS PRECARITY The results of the Behind the Lens study on living conditions and working conditions of camera crews in Europe are sobering. Kurt Brazda, chair of the IMAGO Working Conditions Committee, highlights the fundamental transformation of the labour market the study reveals. After one and a half years of intensive work, and…
Strengthening governance, running workshops, connecting members, hosting events, sharing resources, celebrating achievements and honouring Tim Potter’s legacy, the GBCT thrived over the year. The GBCT has had a busy 2025, building on the foundations COO Lorraine Luke laid in her first year.…
WHAT’S IN A NAME? Cinegirl began as a space to amplify women’s filmmaking voices; now, evolving into CineVoices, it embraces a broader, more inclusive community shaping the industry’s future together. When I was approached to write this comment piece, I confess, it came with…
While cinematographers primarily focus on moving images, many are also skilled photographers, getting a lot out of working with stills – and sharing them with “photo buddies”. This includes Steven Poster ASC… I’ve known many people whose lives are dedicated to photography. I’ve been fortunate to say that from the time I was 12 years old. But of…
Film festivals, from Sundance to Camerimage, preserve cinema’s diversity, spotlight emerging voices and celebrate cinematography’s power to transform ordinary moments into profound, unforgettable images. Leitmotif /ˈlʌɪtməʊˌtiːf/ noun “There are two leitmotifs in his score marking the heroine and her Fairy…
A week at the Sundance Institute meant film camp for grown-ups — working with Robert Redford, Sally Field and future greats like James Mangold and Paul Thomas Anderson. One of the greatest honours of my career was to be invited…
GLOBAL LENS ON CINEMATOGRAPHY IMAGO’s interview series spotlights global cinematographers, revealing how personal histories and cultural roots shape visual storytelling in a shared pursuit of artistic, emotional filmmaking excellence. IMAGO, the International Federation of Cinematographers, supports its mission to unite…
AI, robotic cameras and digital shifts are redefining filmmaking. It’s time to explore whether all crews will adapt, survive or be sidelined in this bold new era of the media industry. This year’s Media Production & Technology Show (MPTS) featured…
The next era of filmmaking will not be defined by technology alone as remaining connected to our authentic creative voice continues to be at the heart of the cinematographic process, says Christopher Ross BSC. Creativity /kriːeɪˈtɪvɪti/ Noun the use of…
For the first time in its 106-year history, the ASC is led by a woman—the new president writes about her dedication to opportunity, inclusivity and supporting future storytellers. The American Society of Cinematographers is a 106-year-old organisation and my presidency…
As Hollywood weathers uncertainty and rapid changes, Steven Poster ASC reflects on past golden ages, digital disruption and the creative resilience needed for what’s next. It is such a difficult time around the globe right now. I have been thinking…
A NEW FRAME FOR ARMENIAN CINEMA The Armenian Cinematographers Guild, in partnership with the Golden Apricot International Film Festival, IMAGO, Woods Center and GAIFF Pro, launched its first professional Master Class series in July. But this wasn’t just a string…
Scotland’s first GBCT Steadicam course gave trainees the chance to develop practical skills through hands-on training with top industry professionals. The GBCT and Tiffen ran Scotland’s first Steadicam workshop in January, supported by ScreenSkills and NoDrama’s James Jones. Tutors Gareth…
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