paul@paullacey.digital

paul@paullacey.digital

Annemarie Lean-Vercoe / Outrageous

TUNNEL VISION  Using high-speed Venice 2 photography, practical lighting and selective VFX, Outrageous evokes fractured memory, culminating in a stylised, slow-motion “Cathedral of Light” at Nuremberg.  Outrageous is narrated by eldest sibling Nancy Mitford, who opens the show by describing…

Sponsored feature / Astera

SPEED AND CONTROL IN A BULB From submarines to missile silos, Emmy-nominated cinematographer Jimmy Lindsey ASC  harnesses compact, LED fixtures to move at the speed of a TV schedule without sacrificing cinematic scale — transforming the way he paints with…

Frida Marzouk AFC / Promised Sky

A TUNISIAN TALE  Writer-director Erige Sehiri reunites with cinematographer Frida Marzouk AFC on Promised Sky, capturing intimate performances in Tunis with a naturalistic, handheld style and Panavision lenses.  Telling the story of three women whose lives intersect in modern-day Tunis, Promised…

Sponsored feature / Aputure

LIGHTING THE UNSEEN  Uwe Greiner shares insight into how he used Aputure to shape the visual world of Nine Perfect Strangers.  When Nine Perfect Strangers returned for a second season, the production left behind the eucalyptus forests of Australia and…

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