CAPTURING THE CLUTTER Nanu Segal BSC explores how lensing choices and lighting transitions came into play when shooting haunting drama examining childhood trauma, Hoard – from scenes grounded in naturalism through to more absurd hoarding sequences. When my agent sent…
Royal rumble The infamous Newsnight stand-off between Prince Andrew and presenter Emily Maitlis has been given the Netflix treatment in Scoop. Cinematographer Nanu Segal BSC worked closely with director Philip Martin to bring light and shade to this thrilling dramatisation…
THE RETURN OF REMORSE When establishing the visual style for the second season of BBC comedy drama Guilt, cinematographer Caroline Bridges wanted to remain true to the cinematic approach Nanu Segal BSC adopted for season one whilst exploring new creative possibilities. Season one delved into how two very different characters – brothers Max (Mark Bonnar)…
A SENSE OF WONDER Heightened naturalism, colour exploration, and fantasy sequences starring super-sized animals help convey the magic in writer-director Kate Tsang’s enchanting coming-of-age tale, beautifully lensed by Nanu Segal BSC. The power of friendship, magic and fantasy is at…
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