REINTRODUCING GILEAD WITH COLOUR AND CONTROL Greta Zozula takes viewers back to Gilead in The Testaments, reworking its visual language—balancing continuity with evolution in lensing, lighting and colour to reflect a world shifting from idealism to disillusionment. I was a huge…
BEST OF BOTH WORLDS Fusing film and digital capture, cinematographer Greta Zozula portrays the nuances of shifting father-daughter dynamics in the shadow of the AIDS epidemic in Fairyland. The halcyon days of a ‘70s San Franciscan childhood are juxtaposed with…
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