BOLD VISION When Greig Fraser ASC ACS and his creative collaborators returned to the desert to continue bringing Denis Villeneuve’s vision of sandworms, spice, and spectacle to the screen they evolved the world of wonder by entering new visual territory. …
FUTURISTIC VISION Remaining as nimble as possible during shooting saw the filmmakers behind The Creator change the methodology of making a blockbuster and work with multiple camera configurations including easy-to-assemble prosumer equipment. More often than not, two cinematographers credited on…
THE DARK OF KNIGHT When shooting Matt Reeves’ The Batman, Greig Fraser ASC ACS drew upon comic book references, ‘70s cinema, combined digital and “emulsified” techniques, and entered LED volumes whilst creating an emotional experience to transport the audience to…
Dune cinematographer Greig Fraser ASC ACS and actor Josh Brolin enjoyed a liberating creative process and visual and poetic freedom of expression whilst collaborating on a book that celebrates a shared love of film and storytelling and captures the emotion…
Interpreting Frank Herbert’s epic sci-fi novel Dune for the screen saw a team with imagination and tenacity unify to present a shared vision of an otherworldly adventure.
A NEW REALITY LED volumes are an exciting new tool in the cinematographer’s toolbox, mixing the real with the unreal. Four cinematographers who have already embraced the technology share their experiences. The term “virtual production” encompasses practices like pre-visualisation and remote…
Cinematographers shared their experiences of mixed reality shooting in a panel discussion brought to you by British Cinematographer and ARRI, supported by Creative Technology. In the must-watch discussion Greig Fraser ASC, ACS; Martin Ruhe ASC; Magdalena Gorka PSC, DNEG’s Paul…
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