Magazine Issue 131

Artistry and algorithms 

The next era of filmmaking will not be defined by technology alone as remaining connected to our authentic creative voice continues to be at the heart of the cinematographic process, says Christopher Ross BSC.  Creativity  /kriːeɪˈtɪvɪti/  Noun   the use of…

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These are the best of times

As Hollywood weathers uncertainty and rapid changes, Steven Poster ASC reflects on past golden ages, digital disruption and the creative resilience needed for what’s next.  It is such a difficult time around the globe right now. I have been thinking…

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Black-and-white

MASTERING MONOCHROME  Black-and-white cinematography continues to inspire striking visual storytelling, with filmmakers embracing its expressive power through digital innovation, historic references and bold photographic techniques.  Colour and monochrome cinematography was once considered so different that there were, for a long…

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Cash blow

Industry insiders share their journeys to securing film funding—insider tips, lessons learnt, and the real stories behind making projects happen against all odds.  When we watch something on screen — whether in the immersive darkness of a cinema or on…

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Sponsored feature / Astera

SPEED AND CONTROL IN A BULB From submarines to missile silos, Emmy-nominated cinematographer Jimmy Lindsey ASC  harnesses compact, LED fixtures to move at the speed of a TV schedule without sacrificing cinematic scale — transforming the way he paints with…

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Ollie Downey BSC / Reunion

SIGNS OF THE TIMES  Ollie Downey BSC relied on Astera tubes with diffusion socks and HMIs outside windows to light Reunion, managing a tight schedule and high page count with a traditional yet effective lighting setup.  The BBC drama miniseries Reunion is widely…

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Sponsored feature / Aputure

LIGHTING THE UNSEEN  Uwe Greiner shares insight into how he used Aputure to shape the visual world of Nine Perfect Strangers.  When Nine Perfect Strangers returned for a second season, the production left behind the eucalyptus forests of Australia and…

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David Chambille / Nouvelle Vague

A REVOLUTIONARY ART Nouvelle Vague recounts the production of Jean-Luc Godard’s seminal debut Breathless in fascinating detail, marking a triumphant pairing between Richard Linklater and rising French cinematographer David Chambille.  Richard Linklater’s Nouvelle Vague (New Wave) spirits audiences to that…

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Training the next generation

Scotland’s first GBCT Steadicam course gave trainees the chance to develop practical skills through hands-on training with top industry professionals.  The GBCT and Tiffen ran Scotland’s first Steadicam workshop in January, supported by ScreenSkills and NoDrama’s James Jones. Tutors Gareth…

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Johanna Coelho / The Pitt

CAPTURING THE CHAOS OF THE ER  Johanna Coelho reveals how she shot The Pitt’s 15-hour ER shift, using immersive 360-degree sets, handheld intimacy and inventive lighting to bring every moment to life.  When I first read the scripts for The…

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Andrew Wehde / The Bear S4

CULINARY CONSISTENCY Lauded as one of this generation’s most beloved shows, Andrew Wehde fills us in on how he has cultivated The Bear’s distinct visual style over four seasons.  As the FX juggernaut airs its fourth instalment, Andrew Wehde has…

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Meet Oscar!

He’s our ChatGPT-powered friend with an encyclopaedic knowledge of all thing’s cinematography from British Cinematographer. Ask him a question and you’ll be amazed by his response.