MOVING WITH THE MARKET A selection of UK rental houses share perspectives on the ever-evolving sector, from the peak in activity following the production void through to popular gear, training, and encouraging new entrants to the industry. Much as the…
YOU NEVER STOP LEARNING BAFTA Breakthrough cinematographer Aaron Reid explores Filmmakers Academy and shares his views on the site and its educational content as a resource for DPs and filmmakers at all stages of their careers. Over the last four…
PERFECTING THE WORKFLOW We explore the evolution of the digital imaging technician’s role in helping achieve maximum image quality, the workflow wizardry surrounding it, and their collaboration with cinematographers and other members of the production team. In the early days…
EXPLORING NEW DIMENSIONS Erik Alexander Wilson BSC details how he captured elements of four-part series Landscapers, adopting a new “Portrait Anamorphic” mode approach which saw him shoot with 2x anamorphic lenses for a 16:9 delivery. Whilst trying out ideas to…
FILTERED IMAGES DPs past and present discuss their favourite filters and consider the place of physical filtration in a digital world. “It’s still a question I ask myself every time I put [a filter] in front of the camera: is…
PICTURE THIS Being visual disciplines, cinematography and production design share a common language. Experts in their field share their experiences and techniques as well as the secrets to successful creative collaborations. Long before working on The Luminaries, Denson Baker ACS NZCS and production designer Felicity Abbott…
TELLING A STORY Rina Yang filled us in on what it was like to work with one of the most recognisable songwriters on the planet: Taylor Swift. The short film accompanies a previously unreleased 10 minute version of ‘All Too…
AT THE HEART OF THE ACTION Polly Morgan BSC ASC breaks down an action-packed scene from A Quiet Place Part II and the bespoke car rig, teamwork, and kit that made capturing the first-of-its-kind, tightly choreographed sequence possible. When John…
A NEW REALITY LED volumes are an exciting new tool in the cinematographer’s toolbox, mixing the real with the unreal. Four cinematographers who have already embraced the technology share their experiences. The term “virtual production” encompasses practices like pre-visualisation and remote…
SKY RISERS Drones, helicopters, and fixed-wing aircraft are helping filmmakers create creative and spectacular shots that soar. We examine the developments in the ever-evolving world of aerial cinematography. Aerial cinematography is long-established in cinema history. From bi-plane dogfights in the…
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