Cinematographer Sherri Kauk shares her Shooter’s Playbook providing valuable context for shooting unscripted television. First, Sherri starts by advising on why it’s essential to have a specific reel for every form of content that you would like to shoot. Then,…
Neil Oseman, a regular contributor to British Cinematographer and a DP with over 20 years’ experience, teaches some simple techniques to create depth and mood in this introductory video from his new online course, Cinematography for Drama. The full course…
Why are blocking and lighting diagrams essential for cinematographers and filmmakers? Shane Hurlbut ASC takes you through a scene from Love Hard and how he creates these diagrams from scratch. Do you create diagrams? Access 1000+ icons that Shane has…
We spoke to Diana Olifirova at BSC Expo 2022 about her life as a cinematographer and her role as a Digital Orchard Talent Bar mentor.
We caught up with Anthony Dod Mantle BSC ASC DFF at BSC Expo 2022 to talk about his career and the ever changing film industry, in particular how you merge art and technology. Mantle had just been speaking at BSC…
London Film School (LFS) is recognised as one of the world’s key graduate schools and remains film education’s most cosmopolitan institution. Our graduates are established in film and television production in more than eighty countries. Alumni include many great filmmakers…
International cinematographers Christopher Blauvelt (Emma, Night Moves), Peter Flinckenberg F.S.C. (Concrete Night, How It Ends) and Sari Aaltonen F.S.C. (Shadow Lines, The Blind Man Who Did Not Want to See Titanic) discuss building their careers as cinematographers. Starting from childhood…
In this Lesson, Shane Hurlbut, ASC discusses his time working with director Greg Popp on their Century 21 commercial and how they prepare with limited time. Since in commercials you don’t have the weeks of pre-production like the feature world,…
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