CAUGHT IN THE ACT Cinematographer Witold Stok BSC explores the fascinating relationship between those in front of and behind the camera, drawing on his own experiences on set. “I think acting – and particularly feature film performance, because of its…
BRIGHT SPARKS The virtual production boom has drawn a new generation of companies into the cinematography sphere. Leading the charge are the LED processing specialists at Brompton Technology. 10 years ago, the name Brompton was synonymous with a certain ubiquitous…
THE SHOW MUST GO ON Shooting in the precious setting of London’s Freemasons’ Hall added an extra layer of complexity for See How They Run’s cinematographer Jamie D. Ramsay SASC and gaffer Carolina Schmidtholstein. The duo discusses the intricacies of…
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London Film School (LFS) is recognised as one of the world’s key graduate schools and remains film education’s most cosmopolitan institution. Their graduates are established in film and television production in more than eighty countries. Alumni include many great filmmakers…
Dee Edwards (Photo courtesy of the GBCT) ‘The ACO mourns the passing of our great friend and mentor Dee Edwards who played such a large part in many of our lives within the film and TV industry. Through her boundless…
EXPERT FOCUS An inspiring new training initiative from the British Society of Cinematographers aims to boost the skills sets of both existing DPs and those breaking into the industry with a series of expert-led events. BSC Education, a new committee…
CZECH CHANGEMAKER Our BSC Heritage Series, adapted from profiles in the BSC’s Preserving the Vision book, continues with the gifted Otto Heller BSC, who worked on over 250 films. Notable for the photography of The Ladykillers (1955 d. Alexander Mackendrick),…
ORCS BY FIRELIGHT An enormous lighting setup was required when Alex Disenhof ASC lensed the orc nighttime invasion of a village in The Lord of the Rings: The Rings of Power. I remember the moment when I was in high school,…
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